A podcast like this could lean into the drama, and I know Australian law is preventing some of that, however, I am sure there still could be something more injected. They don't, and I find it to be an excellent balance between intrigue, mystery, and respect.
What's striking about the cover art - this simple yet detailed neon jelly with the title's subtle wave-like undulations - is that it's so much like the podcast itself. It is elements put together to support the story to its fullest.
Listeners and podcasters are sharing what they're listening to, and I've stolen podcasts from queues my friends have posted. I am enjoying seeing how everyone's habits are different, and how I can be more varied in my listening.
I have to believe that if one person can be reminded to take steps back from the truth of these 40-year-old stories - accounts of what happened to real people when too few of us were skeptical enough - maybe we'll be more prepared for the deceit of tomorrow.
